Dear  President Naylor,
I write to you on behalf of  the organising committee—past and present— of the International  Graduate Conference of the Centre for Comparative Literature, a  committee of which I have been a member for the past three years. As you  know, the graduate students of the Centre organise this annual  conference every spring, based around questions that are at the heart of  the human sciences. In 2009, our central question was: what does it  mean to read and how does one read? In 2010, we turned to the experience  of time and narration. In 2011, we will explore the question of  iconicity, a particularly timely question in light of the front-page  image of Northrop Frye in the Globe and Mail this week.
The conferences that have  been organised over the past three years have received no fewer than one  hundred abstracts from scholars from around the world. Last year’s  conference alone received close to two hundred fifty abstracts. This  number is nearly three times that which the Canadian Association for  Comparative Literature generally receives each year for their annual  conference. The abstracts we receive come from a range of scholars, from  those at the beginnings of the careers to firmly established professors  who are members of the highest levels of academia: University  Professors, Fellows of the Royal Society of Canada, and so on.
Over the past few years,  the conference has hosted some of the biggest names in literary studies  to present keynote lectures. In honour of Linda Hutcheon and Ted  Chamberlin, we invited Sander L. Gilman to participate in 2009, an  invitation that he quickly and gladly accepted because of the prestige  of the Centre and its place in the field of literary studies. Sander  Gilman has been awarded an honorary doctorate from the University of  Toronto and also held the position of Northrop Frye Professor in  Literary Theory. I will not list all of the scholars who have graced the  University by attending this conference, but such a list would include  Svetlana Boym, Piero Boitani, and Mario J. Valdés. In 2011, we will  welcome Carol Mavor, an art historian, and Michael Taussig, an  anthropologist, who will speak to the interdisciplinary and multi-media  concerns of icons and their meanings: Why are icons so powerful? What  does it mean to break them?
And if these two aspects of  our conferences were not enough, for the past three years the  conferences have either received SSHRC funding or have been established  as “fund-worthy but no funds available.” The 2010 conference, “Radiant  Past, Explosive Future,” received the full amount of funding requested.  The 2011 conference is the recipient of a Jackman Humanities Institute  Program for the Arts award, and we anticipate equal success with our  SSHRC application. Publications are forthcoming for the proceeding of  the 2008, 2009, and 2010 conferences, and the committee of the 2011  conference is currently negotiating publication of the proceedings.
Sander L. Gilman has called  our conference a “destination” conference for comparative,  interdisciplinary, and literary scholars from around the world. Indeed  our conferences are noted for challenging the ways we conceive of  comparative literature and continue to challenge, in Dean Gertler’s  words, “what was revolutionary or radical in the 60s.” If the University  and the Dean of Arts and Science decide to continue along this  destructive path of closing the Centre for Comparative Literature, there  is no way that this conference will be able to continue. 
Professor Sylvia Söderlind  of Queen’s University notes, in her letter (July 13, 2010) to you, “I  have attended several of the annual international conferences organized  by the students over the years and have been constantly amazed both by  the quality of scholarship presented and the caliber of scholars the  students manage to attract. Where else do students organize large  meetings of scholars of international reputation? More to the point,  perhaps, in what other venues organized by students are international  scholars eager to participate?” I submit these same questions to you.  Where are these same types of conferences being organised by students  and where are scholars of international repute so interested in  participating? These conferences are another testament to the academic  excellence and reputation of the students at the Centre for Comparative  Literature and the continuing relevance and strength of our discipline.  
On behalf of the organising  committees of the 2009, 2010, and 2011 conferences, I urge you and the  Dean of Arts and Sciences to consider just what is at stake if the plan  to close Northrop Frye’s Centre for Comparative Literature continues. No  other program at the University of Toronto, and no other group of  students working together at the University, organises a conference that  is any way comparable to those run through the Centre for Comparative  Literature. This will be a tremendous loss to the intellectual community  at the University of Toronto, as well as our neighbouring universities.  
Finally, let me personally  invite you and any of the university administration to attend our annual  conference, “Iconoclasm: the Breaking and Making of Images,” that will  take place March 17-19, 2011 at Victoria College.
Yours truly,
Jonathan A. Allan
CC: Dean Meric Gertler
Provost Cheryl Misak
Dr. Neil ten Kortenaar,  Centre for Comparative Literature
Dr. Sylvia Söderlind,  Department of English, Queen’s University
Dr. Sander L. Gilman, Emory  University
Dr. Noreen Golfman,  President of the Canadian Federation for the Humanities and Social  Sciences
Elizabeth Church, Education  Reporter, Globe and Mail
Karen Birchard, Chronicle  of Higher Education
Peggy Berkowitz, Editor,  University Affairs 
Save Comparative Literature Campaign
 
Dear Mr Allan
ReplyDeleteThank you for your thoughtful expression of concern about the Centre for Comparative Literature and the additional details you provide regarding the International Graduate Conference. The topic of iconicity does seem well-timed! The actual details of the new Arts and Science plan have only very recently been shared with the internal community and wider world. It seems to me that the elements of the plan, including any alternative structure to facilitate scholarship and graduate student supervision in comparative literature, are just entering a phase of very active discussion within the Faculty (and externally, it seems!). As well, some elements of the plan will require central governance approval. Thus, it is premature for me to intervene at this point and I am asking the Dean to reply to your email on his own account.
Best wishes
David Naylor